Cornish post-punk spacerockers HANTERHIR have unveiled another new video from their latest album.
The psychotronic ‘Always On’, which finds them unleashing their inner early Psychedelic Furs, is the opening cut from their acclaimed new album Nyns Eus Denvydth Bys Trest (There Is No-one To Trust) which is out now through Easy Action Records.
Read an album review and interview with Hanterhir in the latest edition of Vive Le Rock!
Revived post-punk cult legends WASTED YOUTH play a very special headline show in London this week.
The East London band, who generated a huge following during their original brief late-70s/early-80 career, reconvened unexpectedly earlier this year, still featuring singer Ken Scott and guitarist Rocco Barker, to play a one-off date at London’s Lexington, which sold out in three hours. This was followed by another sold-out show at the same venue.
The band then joined The Psychedelic Furs on their UK dates, reprising their support role on the latter’s infamous 1981 Talk Talk Talk tour.
This Saturday 14 May, the band play The PowerHaus (formerly Dingwalls) in Camden, where they’ll be performing two sets – their classic debut album Wild And Wandering in its entirety, followed by singles and live favourites. With no further dates currently booked, the band have suggested this could be their last ever show.
“We’ve not accepted any future bookings and have actually turned some down,” say the band. “We have no future rehearsals arranged or tricks up our sleeve. We are going to review, assess and evaluate the past four months and announce our decision before July is upon us. What a trip it’s been, what a blast of a trip! Happy music for happy people indeed.”
Cornish psych-rockers HANTERHIR have unveiled a psychedelic new video ahead of their show at Penzance’s Acorn Theatre this Saturday.
‘Don’t Go’ is the second single to be released from the Redruth band’s forthcoming album There Is No-One To Trust (Nyns Eus Denvydth Bys Trest), following on from the single ‘Honey Bees’ which came out last month.
“The video was filmed one evening in a small wood near Falmouth,” explains bassist Grant Kellow. “No-one could really see out of the eyeholes on the heads, lots of shouts of ‘Lift your left leg higher’, ‘Duck down’, and ‘Whose bright idea was this?’. But even Mike [Hewitt, sax] didn’t trip over anything in the end. Big fun making it. All filmed by the band in turn.”
“The heads took me a year over lockdown to make!” adds frontman Ben Harris. “Mike was the alien, Grant was the bear, Simon [Howard, guitar] was the devil, Jason [Brown, drums] was the hedgehog, Peasy [guitar] was the moon Lou [Macchi, violin] was the sun and I was the frog.”
Formed in 2008, Hanterhir have become one of the biggest bands in the Southwest, playing numerous festivals and sharing stages with the likes of Gang Of Four, Peter Hook & The Light and Flaming Lips. Following the success of previous album The Saving Of Cadan, they featured in a BBC documentary on the resurgence of the Cornish language, headlined London’s Kernow In The City festival and released a double-A-side single featuring covers of Sonic Youth’s ‘Schizophrenia’ and David Bowie’s ‘Dancing Out In Space’ just as Covid lockdown hit. They returned to live action with an appearance at Hawkwind’s Hawkfest last August and are currently lining up gigs and festival dates for later in the year.
Set for release on 27 May through Easy Action on vinyl and CD (with exclusive bonus track), There Is No-One To Trust is available to pre-order here.
Tickets for the Acorn Theatre show are available here.
As with last year, the lack of opportunities to play gigs has forced bands to use their initiative and consequently we’ve showered with some excellent videos, many of them being premiered here on the Vive Le Rock website. Competition has unsurprisingly been very tough, but here are just some of the ones that we loved…
20. CHELSEA – CA$H
You’d think original ’76 punks Chelsea should be taking it easy but no, latest album Meanwhile Gardens represents a new lease of life that many of the current crop of young pretenders would have a job following.
19. HOODOO GURUS – WORLD OF PAIN
With a wave of touring inked in just as Covid struck, the Aussie legend have showered us with a raft of excellent new singles and videos, of which this – celebrating their nation’s barroom culture – is the best. Look out for a new album in 2022.
18. THE BLUE CARPET BAND – B-MOVIE BOOGIE
These north Londoners go from strength to strength, their boisterous psychobilly revival now given fetching new go-faster stripes by a couple of members of the legendary Demented Are Go.
17. DEALING WITH DAMAGE – SLOW SHADOW
A supergroup of 90s punks, for this mindbending video from their debut album Ask More Questions, Dealing With Damage journeyed to the wilds of Surrey where they spent their idyllic childhoods. Recreating their first acid trips or something…
16. JAMES DOMESTIC – FAZE OUT
Frontman of East Anglian DIY punk pioneers, James Domestic channels a brown acid B52s on this track from his forthcoming debut album, due out this Spring.
15. THE MEFFS – SCUM
Staying in East Anglia, one of a number of angry young bands emerging from Britain’s oldest town (that’s Colchester), The Meffs offer this searing demolition of the UK’s most reviled tabloid.
14. PROFESSIONALS – SPIKE ME BABY
Filmed in West London’s iconic Olympia building, The Professionals offer this evidence that their reunion was no nostalgia act, delivering their second excellent album since their retooling in SNAFU.
13. OFF – HOLIER THAN THOU
SoCal punk supergroup deliver a decimating cover from Metallica’s Blacklist album, accompanied by this brilliant long-form video featuring a fully Oscar-deserving lead role Jesus Lizard frontman David Yow.
12. THE SCIENTISTS – SCIENCE OF SUAVE
At the time of their recent reformation, Aussie post-punk legends The Scientists swore they’d never make another album. Well guess what! Always unpredictable, they delivered this brilliant clip as a taste, proof that you shouldn’t believe want you read on the ‘net and should always listen to the scientists.
11. DAN SARTAIN – I DON’T CARE (OOH LA LA LA)
In a year full of sad departures, the loss of Dan Sartain bit particularly deep, not least because he’d just recorded (and made videos for) one of the best albums of his career. The guy clearly had a lot to give.
10. CULT FIGURES – CHICKEN BONES
In a year when the phrase ‘Birmingham post-punk’ was on everybody’s lips – well some of them – Solihull’s Cult Figures made good on their recent comeback with Deritend, a career high, from which ‘Chicken Bones’ is taken.
9. MILLIE MANDERS & THE SHUT-UP – PANIC
We had to go right back to the start of the year for this one. Taken from one of our albums of 2020, this eco-anthem was a wake-up call the world. A year on, how many woke up?
8. AMYL AND THE SNIFFERS – HERTZ
We said they were going to be huge, and these Aussie reprobates look like proving us right – aren’t we always? Just one of a number of great tracks from this year’s Comfort To Me, an album that shows real growth.
7. MAD DADDY – RIDE WITH ME
The Isle of Man isn’t over burdened with ball-tearing punk rock’n’roll, as far as we can tell, so the arrival on the Vive Le Rock turntable of Mad Daddy’s debut album was both a surprise and a headbanging delight. We can’t wait to catch ’em live.
6. DESPERATE MEASURES – SCARS & MEMORIES
It took 40 years to get here but Desperate Measure have finally arrived. So out of control they had to make this video twice, their mini-album Rinsed and support dates with The Professionals showed a band teetering on the brink of greasy rock’n’roll revolution, brothers and sisters.
5. CHUBBY AND THE GANG – COMING UP TOUGH
If you’d told us twenty years ago that in 2021 the kids would be getting off on a fusion of Oi and Highway To Hell-period AC/DC reared in a West London squat, we’d have laughed in your face, but been secretly delighted. Chubby And The Gang deserve the praise.
4. BOB VYLAN – GDP
We’ve never needed someone like Bob Vylan so bad, continuing to challenge and tell it like it is. Bob for PM? He gets our vote.
3. FEROCIOUS DOG – WILL YOU
Delivering possibly the album of their career with The Hope, the Notts folk-punks took the Hazel O’Connor hit (with help from Hazel herself), delivering a truly touching video that goes to the heart of the sense of isolation and loneliness, and indeed the glimmer of hope, that many of us have felt over the past year.
2. THE STRANGLERS – AND IF YOU SHOULD SEE DAVE
The tragic loss of Dave Greenfield last year hit many of us hard, not least his bandmate in The Stranglers. Yet somehow the recovered enough to deliver this poignant, and incredibly frank, tribute. How could they follow that?
1. THE STRANGLERS – THIS SONG
By getting Stuart Pearce to star – who knew he was so good at parkour?! You can read interviews with Stuart and The Stranglers in the latest edition of Vive Le Rock!
THE CRAVATS launch the latest in their series of classic single reissues with this rare archive clip premiered exclusively with Vive Le Rock!
The footage of the classic ‘I Hate The Universe’ was shot live at the legendary Zig Zag Club in London and had previously been lost for more than three decades.
Following the band’s recent resurgence with last year’s critically acclaimed LP Dustbin of Sound they are re-releasing limited editions of their classic Small Wonder singles on vinyl, as many missed them first time around and apart from paying silly money on eBay or Discogs it is a way of filling that ‘C’ section in your record collections with finery.
Limited to 500 copies, the band’s debut 1978 release ‘Gordon’ b/w ‘Situations Vacant’ was reissued last year and very few remain. It’s still available now from Overground Records or from any Cravats Live show.
Now, originally issued in June ’79, here comes ‘Burning Bridges’ b/w ‘The End’ and ‘I Hate The Universe’.
Produced by Bob Sargeant (a week after he produced The Fall’s Live At The Witch Trials in the same studio), it has been digitally remastered and, like ‘Gordon’, is encased in the same glorious sleeve artwork.
Attempting to make these re-releases look as close to the originals as possible has been a labour of love. Back then artwork was all: bits of cardboard, Letraset, scissors and a tube of glue, but thanks to modern, space-age technology you’ll get a near identical sleeve and spot-on label – in this instance Pete Stennett has kindly allowed the band to reproduce his legendary Small Wonder Record label. Each copy also comes with a handy insert featuring ‘Cravfacts’.
Remember, only 500 of these exist and then they’ve gone forever. It’s available now here or any Cravats gig.
The next release in the series, ‘Precinct’ will follow in a few months, so collect the set and drink plenty of water.
Below, Cravats frontman The Shend tells the story of the film clip…
As you can imagine The Cravats were somewhat thrilled to be asked to support The Birthday Party and UT at The Zigzag Club in London on 8 May 1982.
In the days before iPhones and even camcorders (first available to the general public in 1983), getting anything filmed involved good old celluloid and luckily that day, Simon Towle was on the guestlist clutching his trusty Super 8 cine camera which incredibly had sound.
He filmed all of ‘I Hate The Universe’ which, seeing as the reels of film only lasted a few minutes, was a feat in itself, and recorded the audio with the camera’s built in microphone.
A couple of months later we all gathered at Gordon’s flat (Gordon Winter was the lead singer of Small Wonder stablemates The English Subtitles and also the marvellously manic chair-wielding Mr H on stage with us in this film) in Rupert Court, Soho and watched the unedited masterpiece projected on a wall. That was the last time anyone saw it . . . for decades!
We sadly lost touch with Simon and the film became a dim memory but it was the only known footage of The Cravats and every now and then I’d try to track down Simon and this Holy Grail of Cravatian artefacts. I searched social media and googled Simon but the trail was always cold. Not knowing how to correctly spell his surname didn’t help.
Then in 2017 I befriended English Subtitles’ guitarist Louis who now lived in Hamburg on Farcebook and asked him if he knew of Simon’s whereabouts. It turned out Simon had moved to New Zealand many years ago and thanks to Mark Zuckerberg’s networking behemoth I got in touch, but although he remembered making the film he was unsure whether it still existed.
Bah, Inspector Morse never had this much trouble detectiving.
Then, a message from Simon in early 2018 finally cracked the case. While clearing the loft he’d found the film in, er, a case.
Hoorah! I exclaimed, and using Google Street View, Simon found a suitable celluloid conversion emporium in a town some miles from his home.
Once converted to digital it was sent through the howling ether of outer space to Shend Towers and passed to lovely chum and Emperor of digital imagery, the mighty Mark Richards for editing into the gem you see here.
Okay, it hasn’t the audio clarity or visual splendour of a cinematic classic such as say, Those Magnificent Men In Their Flying Machines, but it’s really, really flipping old, was recorded on equipment with less pixels than a badger and has travelled the globe stuffed in a suitcase with some net curtains and 52 vintage copies of Practical Wireless Magazine.
Thirty-six years in the making and with massive thanks to Simon Towle, Mark Richards and all who helped along the way, we can finally present the legendary celluloid extravaganza that is, ‘I Hate The Universe’.
Fast rising Cornish psych-rockers HANTERHIR today premiere a new video with Vive Le Rock!
The track ‘Hope Comes With Love’ is the third single to be released from their widely acclaimed triple-album The Saving Of Cadan which is out now through Easy Action.
Formed in Redruth in 2007, the band have developed their sound in isolation from the mainstream, drawing on a diverse set of influences including the Psychedelic Furs, Echo & The Bunnymen, Sonic Youth and Hawkwind, whose onetime sax-player Nik Turner has been known to perform with the band on occasion.
You can catch Hanterhir on the following dates….
20 Oct Charlie’s Bar, Redruth
21 Oct The Sussex Arms, Tunbridge Wells
22 Oct The Victoria, Dalston, London (w/Brainiac 5) tickets
23 Oct The Railway Hotel, Southend-on-Sea
Read a new interview with Hanterhir in our sister magazine Louder Than War out now!
Fast-rising Cornish psych-rockers HANTERHIR have a new video and single, which they’re premiering exclusively with Vive Le Rock!
‘Hello Sunshine’ is a substantially edited version of the monumental opening track from their widely acclaimed new triple album The Saving Of Cadan, released last month through Easy Action Records. The video is the work of renowned Cornish new wave film director Mawgan Lewis.
“‘Hello Sunshine’ was the first song we wrote for the album that was originally going to be 10 songs on a 10 inch played by 10 people with only 10 copies printed,” explains band frontman Ben Harris. “Somehow, writing an almost 10 minute song gave us the hint that we were never going to fit all the songs on that format.
“We filmed ‘Hello Sunshine’ with Mawgan from Purple Knif in a 30 degree village hall that my first ever band rehearsed in. It hadn’t changed much, and possibly hadn’t been painted since I was last in there.”
The band are playing a series of dates throughout the late summer and autumn, including a rare London show at The Victoria in Dalston with special guests THE BRAINIAC 5, legends of the 70s Cornish free festival scene.
Full dates are…
20 Sept – The Old Bakery, Truro (w/ Dom Duff) tickets
28 Sept – Harvest Gathering Festival, Newquay tickets
21 Oct – The Sussex Arms, Tunbridge Wells
22 Oct – The Victoria, Dalston, London tickets
23 Oct – The Railway Hotel, Southend on Sea
The Saving Of Cadan is available on triple-vinyl and double-CD here.
Read a new interview with Hanterhir in the latest edition of Louder Than War magazine, out now!
THE RUTS DC have announced a major tour for the New Year, celebrating the 40th Anniversary of the classic album The Crack.
The tour takes in 17 dates across the UK and Ireland during February and March, including a London show at Shepherds Bush Empire. Support at all shows comes from THE PROFESSIONALS.
Coming together in the West London district of Southall in 1977, The Ruts sound fundamentally fused rabble-rousing punk with the dub-reggae influence of their surroundings. Their classic debut single ‘In A Rut’ was released at the start of 1979 on People Unite Records, the label owned by friends and neighbours MISTY IN ROOTS.
Their pioneering debut album The Crack was released on Virgin that autumn and is rightly regarded as one of the most important releases of the immediate post-punk – and indeed punk – era. Driven by a string of hit singles in ‘Babylon’ Burning’, ‘Something That I said’ and the reggae-fuelled ‘Jah War’, The Ruts were poised for major international success, only for their plans to be disrupted by the sudden death of charismatic frontman Malcolm Owen from a heroin overdose in July 1980.
Having played a benefit for guitarist Paul Fox, who was suffering from terminal cancer, in 2007, with Henry Rollins taking Owen’s role, surviving members Segs Jennings and Dave Ruffy decided to continue with The Ruts DC, recruiting guitarist Leigh Hegarty for the critically acclaimed album Music Must Destroy in 2016.
Celebrating the released of The Crack in 2019, the band will be performing the album live onstage in its entirety for the very first time, and in doing so will be paying tribute to Owen and Fox.
“It’s always been important to us to be a current and forward-thinking band, releasing and playing new material whilst being proud of our past,” states Segs. “A milestone to many, The Crack is an important piece of work to us too. We now feel ready to celebrate where we came from.”
“Making The Crack was a real game changer for me,” continues Ruffy. “The Ruts were a band that were greater than the sum of their parts and wrote music inspired by everything we had ever heard. It’s a piece of work that I am immensely proud to have been a part of. Now forty years on we will be playing the album in its entirety, it’s quite a challenge as some of the songs have not been played since 1980! Our legacy is large, and we are and will continue working hard to make this a great show.”
Full dates are as follows…
11th Feb Phoenix Exeter
12th Feb Concorde 2 Brighton
13th Feb O2 Ritz Manchester
15th Feb 02 Institute 2 Birmingham
16th Feb 02 Academy 2 Sheffield
17th Feb The Junction Cambridge
18th Feb 02 Academy Oxford
20th Feb Waterfront Norwich
21st Feb Riverside Newcastle
22nd Feb Garage Glasgow
23rd Feb Tunnels Aberdeen
24th Feb Liquid Rooms Edinburgh
26th Feb Rescue Rooms Nottingham
27th Feb SWX Bristol
28th Feb O2 Shepherds Bush Empire London
2nd Mar Button Factory Dublin, IE
3rd Mar Limelight Belfast
Stevenage goth standard-bearers FIELDS OF THE NEPHILIM join forces with Aussie psych legends THE CHURCH this autumn for three UK dates.
Having come to prominence during the 80s, at opposite ends of the same spectrum, this will be the first time the two bands have toured together.
Formed in 1984, the Nephilim, still featuring original members Carl McCoy and Tony Pettitt, broke an 11-year recording hiatus with a new single ‘Prophecy’ in 2016.
Billed as Special Guests, The Church came together in Sydney in 1980 and released their latest album Man Woman Life Death Infinity last autumn and have just completed a successful series of UK headline shows on the back of an appearance at Robert Smith’s Meltdown Festival.
Birmingham post-punk evergreens THE NIGHTINGALES have announced a series of UK dates for the Autumn.
Originally formed in 1979 out of the ashes of seminal Brum punks THE PREFECTS, since reconvening in 2004, the band has become increasingly active. They’ve just completed a short run of dates, and released a single ‘Commercial Suicide Man’ with punk legend VIC GODARD, who Nightingales frontman Robert Lloyd first met when The Prefects and Subway Sect supported THE CLASH on their White Riot Tour.
The Nightingales will be joined on select dates on the forthcoming tour by fast-rising punk-jazz threesome THE NEAR JAZZ EXPERIENCE, featuring Terry Edwards and Simon Charterton from 80s post-punk funkers THE HIGSONS and MADNESS bassist Mark ‘Bedders’ Bedford.
Full tour dates are….
Thu 20th Sep – The Cellar, Oxford
Fri 21st Sep – The Exchange, Bristol
Sat 22nd Sep – Wedgewood Rooms, Portsmouth
Sun 23rd Sep – Tom Thumb Theatre, Margate
Tue 25th Sep – Soup Kitchen, Manchester*
Wed 26th Sep – Stereo, Glasgow*
Thu 27th Sep – Opium, Edinburgh*
Fri 28th Sep – Central Bar, Gateshead*
Sat 29th Sep – The Lantern, Halifax*
Sun 30th Sep – Greystones, Sheffield*
Tue 2nd Oct – Hare & Hounds, Birmingham*
Wed 3rd Oct – Moth Club, London*
Thu 4th Oct – The Portland Arms, Cambridge*
Fri 5th Oct – Canal House, Nottingham*
Sat 6th Oct – Green Door Store, Brighton