London powerpop rockers LOS PEPES have a new video to show off and they’re doing it exclusively with Vive Le Rock!
‘Positive Negative’ is the title track from the band’s fourth album, which is set for release this Spring through Wanda Records / Adrenalin Fix Music. The video was directed by Ryan Quarterman of Future Human Design Co.
“‘Positive Negative’ is the title track of our upcoming new album. Therefore as a song it represents the whole record’s concept of doing exactly what people say you shouldn’t do,” explains singer/guitarist Ben Perrier. “Wrong is normally right in our experience. To capture the energy of this unhealthy attitude of wrongdoing we made this short clip in which we fail to defuse a bomb. All set to a Beat Club TV-esqe backdrop of green screen explosions and non stop action. Enjoy it folks.”
Described as the Motörhead of powerpop, Los Pepes came together in 2013, sporting a truly international line-up, originating in the UK, Japan, Brazil and Poland. Tearing several strips off clubs, bars and festivals across the UK and Europe, they’ve shared stages with the likes of The Kids, Mudhoney, Guitar Wolf, The Detroit Cobras, The Stems, The Sonics and many many more…
Hertfordshire psychobillies THE ZIPHEADS have a brand new video, which they’re launching exclusively with Vive Le Rock!
Having taken inspiration from Mad Max in previous videos, the St Albans trio have gone back in time to the age of The Flintstones in the video for ‘Dinosaur Rock’.
“We had the idea for the video when the album Prehistoric Beat was originally released in 2013,” they say. “Our friend Tom Malins is an unbelievably talented animator so we were talking to him about this idea but at the time nobody had the money or the time to make it happen. But when Bomber Music re-released the album in July we got together and made it happen. The video is influenced by the Hannah-Barbera style cartoons of the 1960s with some Ren & Stimpy 90s influences chucked in.
Formed in 2006, The Zipheads releaed their debut album Prehistoric Beat on their own label, before signing to Bomber Music for the follow-up Z2: Rampage! in 2016. Their punk-infused rockabilly has earned them serious props on the international psychobilly scene, with the trio invited to play festivals in Spain, France, the Czech Republic, Finland, Sweden, the Netherlands and the U.S.A, sharing stages with the likes of Tiger Army, Rev Horton Heat, The Meteors, Guana Batz, Demented Are Go, King Kurt, Mad Sin and many more.
Catch the band on the following dates…
Sat 22 Dec The Horn, St Albans
Fri 11 Jan The Kings Head, Cromer
Sat 12 Jan The New Adelphi, Hull
Fri 25 Jan Hope & Anchor, Islington, London
Thu 31 Jan Fulford Arms, York
Fri 1 Feb Black Bull, Gateshead
Sun 3 Feb The Waterloo Music Bar, Blackpool
Fri 15 Feb Fish Fabrique Novelle, St. Petersburg, Russia
Sat 16 Feb Glastonberry Pub, Moscow, Russia
Fri 1 Mar Lewes Con Club, Lewes
Sun 3 Mar Bar 42, Worthing
Sat 23 Mar The Fighting Cocks, Kingston Upon Thames
Thu 28 Mar Gambrinus Music Club, Paris, France
Sat 6 Apr The Green Door Store, Brighton
Fri 19 Apr Harpenden Public Halls, Harpenden
Sun 5 May 2 Night Stand, Watford
Fri 24 May Black Heart, Camden, London
Sat 25 May Strummercamp Festival, Oldham
Fri 12 Jul Once Upon A Time in the West, Wiltshire
Sat 17 Aug Exchange, Bristol
The reissued Prehistoric Beat is out now through Bomber Music.
Swiss industrialists THE YOUNG GODS are back with their first new single in eight years.
‘Figure Sans Nom’ is taken from their forthcoming new album. The trio of Franz Treichler, Cesare Pizzi and Bernard Trontin are to play a one-off UK date at at the O2 Islington Academy on 23 March. Tickets are available here.
EVIL BLIZZARD have a brand new video, which they’re unveiling exclusively with Vive Le Rock!
Entering into the Xmas spirit, the chirpily-titled ‘Unleash The Misery’ is the third single to be drawn from the Preston band’s acclaimed album The Worst Show On Earth.
Released through Crackedankles Records, ‘Unleash The Misery’ c/w ‘Tongue Cushion’ is available on 7″ (limited to 300 copies) and download from Bandcamp.
Written and directed by Giles Bastow, the video stars Joanne Mitchell and James Foster.
Says bandmember Filthydirty: “The director Giles Bastow approached us about making a short film to accompany the single as opposed to a ‘promo video’. Giles is a total Horror movie buff but wanted to make a short film with a twist: he wanted to subvert the cliche of the ‘helpless girl who is always the first victim’ and wanted to portray the female character as the stronger victor.”
Massachusetts new wave psych band THE PREFAB MESSIAHS are back with a brand new single and video.
‘Bring On The Robots’ is the first new material from the band since the release of their acclaimed full-length album Psychsploitation Today!, released earlier this year.
Originally existing in Worcester, Massachusetts during the early 80s, recordings by the band were hard to find until California label Burger gave an official full reissue to a previously CD-R only compilation, Devolver, in 2007. This was followed in 2015 by an 8-song mini-album of new material, Keep Your Stupid Dreams Alive.
‘Bring On The Robots’ is out digitally through iTunes, Amazon, Spotify and all usual platforms.
Veteran Pacific Northwest roots rocker RICH HOPE has a new video, and he’s premiering it exclusively with Vive Le Rock!
‘Golden Clouds’ is a cover of a track by the FLAMIN’ GROOVIES from their legendary Sneakers EP. This version is taken from Rich’s new album I’m All Yours, the follow-up to 2009’s Gonna Whip It On Ya.
Born and raised in Edmonton, Canada, Rich’s first band, The Taxicrabs, were given their name by Country Dick Montana of The Beat Farmers. Relocating to Vancouver, he released his first full-length album Good To Go
in 1998, before signing on with the band John Ford for two albums.
Since forming a duo with drummer Adrian Mack, he’s been support of choice for the likes of the Black Crowes, Jon Spencer Blues Explosion, The Sadies, Social Distortion and Reverend Horton Heat among others.
I’m All Your is out now and available to order through Bandcamp.
Powerpop rockers LAST GREAT DREAMERS put a seal on their most successful year yet with a series of December dates.
They follow on from the release of their acclaimed fourth album 13th Floor Renegades and steady touring which has seen them play up and down the UK, as well as their first ever shows in Norway and Spain. They’ve also begun making plans for their first ever US shows, having had their tracks rotated on legendary powerpop DJ Rodney Bingenheimer’s radio show in LA.
Following their headline shows in December, they’re back out on the road in the new year as special guests to Chicago glamsters Enuff Z’Nuff.
Catch them live at…
Fri 7th Dec BIRMINGHAM Asylum 2
8th Sat Dec GLASGOW Nice ‘n’ Sleazy
9th Sun Dec SHEFFIELD Corporation
15th Sat Dec LONDON Camden Black Heart
16th Sun Dec SOUTHAMPTON Heartbreakers
Sat 19th Jan WOLVERHAMPTON Giffard Arms (Dementia Awarefest)
Sat 26th Jan LONDON Monarch (Camden Rocks all-dayer)
Wed 13th Feb EDINBURGH Bannermans (w/Enuff Z’Nuff)
Thu 14th Feb LONDON Underworld (w/Enuff Z’Nuff)
Fri 15th Feb NUNEATON Queens Hall (w/Enuff Z’Nuff)
Sat 16th Feb BRADFORD Trash (w/Enuff Z’Nuff)
Sun 17th Feb BUCKLEY Tivoli (w/Enuff Z’Nuff)
Mon 18th Feb STOKE ON TRENT Eleven (w/Enuff Z’Nuff)
To celebrate, Vive Le Rock asked guitarist Slyder to come up with his Top 10 powerpop nuggets…
Hanoi Rocks – ‘Boulevard of Broken Dreams’
The band probably responsible for Last Great Dreamers’ existence, Marc [Valentine, guitar/vocals] and I both being huge fans; nothing like them before and nothing close to them since, you can hear the likes of The Clash and Mott in there but they had a real unique sound and look. Hard to pick a favourite song, love them all but I think on the Two Steps From The Move album they really came of age, obviously on the verge of great things until tragedy struck. The production on this record, the harmonies etc, just moved up a notch. This song is a great example of that and they look so damn cool in this video too.
Redd Kross – ‘Stay Away From Downtown’
Redd Kross are one of my favourite bands. First I heard of them was Third Eye, introduced to me by Marc, and then the subsequent albums, saw them once in London on the Show World tour in the 90s and again more recently touring Researching The Blues. When I heard ‘Stay Away From Downtown’ I was instantly hooked by the riff and the chorus. I played this song to death and still do, it was instrumental in getting me back into playing again after a 10-year break. I’d just got back in touch with Marc again when this came out, it excited me and made me want to get back on stage again!
Blondie – ‘I’m Gonna Love You Too’
From Parallel Lines, hard to pick any individual track again but this is a great example of their reinvented 1950s sound in the late 70s, a bit Buddly Hollyesque. Fun and vibrant, always showcasing Clem’s brilliant drumming and Debbie is just fantastically talented and beautiful, love her scream into the rip roaring guitar solo!
Squeeze – ‘Is That Love?’
I think Squeeze are similar to The Kinks in their ‘storytelling’ style of lyric writing. This is a perfect example of the classic 2½ minute pop song. Straight into a short and sweet riff and verse 1, Glen Tilbrook’s soulful voice with a country edge, sweet harmonies and perfect little rockabilly/country guitar solo.
Silversun – ‘Golden Skin’
Came across this in the late 90s on the soundtrack to British romcom movie Shooting Fish. Great catchy opening riff that’s a theme throughout, layered vocal harmonies and simple melodic octave guitar solo, perfect pop song!
The Kinks – ‘Till The End Of The Day’
The Kinks were the ultimate storytellers, quintessentially English, trashy guitar sound & excellent harmonies. This song we earmarked to cover whilst on tour, we jammed it in a soundcheck or two but it never came to anything, maybe one day. The lyrics seemed to fit with the whole vibe of touring & the happy bubble you are in…“you and me we’re free, we do as we please. From the morning till the end of the day”.
The Ramones – ‘I Wanna Be Sedated’
Another completely unique band with so many songs, it’s so very hard to pick a favourite. Great production on this record, very tight squelchy guitars, repetitive catchy singalong lyrics, impossible not to love this, The Ramones at their best.
The Buzzcocks – ‘Ever Fallen In Love’
Fabulous pop song, simple but meaningful lyrics, great jangly guitars, perfect chorus and harmonies from a band that churned out tons of catchy, camp 3-minute pop punk classics. Saw them most recently at Exeter a few years back and never heard a guitar as loud as Steve Diggle’s. He played and performed like he’d just been given his guitar back after having had it confiscated for 10 years!
The Hives – ‘Hate To Say I Told You So’
While I was browsing through YouTube this song started playing and I’d earlier had the CD in my hands when thinking of tracks to include for this, so decided to put it in. Loads of energy, attitude & aggression, cool look and sound.
Boomtown Rats – ‘Rat Trap’
A favourite band as a kid, again very unique in their sound. Great songs, look and attitude. I do remember hearing that this song was like an homage or sequel to The Kinks’ ‘Waterloo Sunset’, not sure if there’s any truth in that though.
Melodic punks JANUS STARK are back with a new video – their first ever!
The single ‘Shuffling The Pack’ represents the Peterborough band’s first new material in 21 years!
The band were first former in 1996 by former DESTRUCTORS and ENGLISH DOGS guitarist Gizz Butt. Given a boost in profile thanks to his appearances with THE PRODIGY, the band scored a minor hit with the ‘Every Second Counts’ accompanied by the album Great Adventure Cigar. Since splitting the band in 2002, Butt has performed with Steve Ignorant on his CRASS revival gigs, as well as playing with FIELDS OF THE NEPHILIM and German alternative metal band PYOGENESIS.
Speaking about ‘Shuffling The Pack, Butt explains, “It’s a tale of promises that lead to betrayal. When someone lays down the red carpet to you and promises the earth, yet before you know it, your honeymoon is over, and you’ve been shuffled to the back of the pack.
“Personally, I’ve been at the receiving end of a ‘promisor’ a number of times, fooled by the proverbial dangly carrot. A few friends of mine helped me recognise the signs. The video represents a promise that I am intended to follow. This time I suspect something, so I’m going to confront this villain. This time he’s chosen the wrong card!”
The single is the first fruit from a new album due next year.
You can catch Janus Stark live on the following dates…
Nov 24 – The Ostrich Peterborough
Jan 12 – The Monarch Camden, London
April 19-21 – Manchester Punk Festival
May 25 – Punk and Ska Festival Wales, Machlynlleth
Everybody talks about sticking it to the man, but who’s really doing it?
Fed up with local politicians taking money for doing nothing, Belfast punk Petesy Burns has teamed up with academic and author Colin Harper to deliver a stinging rebuke of Northern Ireland Assembly Members. And the song, resoundingly-titled ‘Smash The System’, is surely a rallying call in current times, as relevant almost anywhere around the world as it is in Northern Ireland.
Says Harper, who wrote the song, “The Northern Ireland Assembly collapsed in January 2017, the direct result of the Minister in charge of a botched heating scheme called RHI refusing to step aside while an enquiry took place. RHI will cost Northern Ireland taxpayers an estimated £490-500 million in wasted money.”
According to Harper, between January 2017 and October 2018, the 90 NI assembly members have received £10.25 million in salaries and an estimated £11.77 million in expenses. During that period, one assembly member has received £69,600 extra for his role as Speaker.
“He hasn’t spoken once”, says Harper. “Imagine if all of this was happening in London. It would be a national outrage.”
“I have no connection with punk whatsoever, but the medium felt right for getting the message out about this mess,” he continues. “I’d recently watched a documentary on 1970s Belfast punk legends, The Outcasts and was impressed by band member Petesy Burns’ compassionate anarchist ethos – kindness towards one’s fellow man – and by the energy of his performance. I got in touch and he was immediately on board.”
Credited to Colin Harper’s Bourgeois Fury, ‘Smash The System’ is available now from iTunes, Amazon and all usual digital platforms.
MADNESS return to their House Of Fun weekender at Minehead Butlin’s at the end of the month.
Over the weekend of 30 November-2 December, the Nutty Boys play host to a range of live acts and DJs including MUNGO JERRY, DAVID RODIGAN, CHRIS DIFFORD, HORACE ANDY, GENO WASHINGTON, ADRIAN SHERWOOD, DENNIS BOVELL, JANET KAY, HUEY MORGAN, Bez and Rowetta from HAPPY MONDAYS, EARL GATESHEAD, CHAINSKA BRASSIKA, THE ESKIES, THE SKATA TONES and more….
To celebrate, we asked the band’s longstanding bass supremo Mark ‘Bedders’ Bedford for his Top 10 ska and reggae tracks….
“It’s the worst thing in the world to ask a musician his or her favourite tracks. There are normally so many in a musician’s head. Groups and sub-groups of suitable bits of music for every occasion. But asking them to pick ten will elicit hand-wringing on a monumental scale. This list is a touch easier because the brief was to stick to ska and reggae. But I could have drawn up a list for Top Ten of All-Time records – this would have taken weeks, of course. Or a jazz list; a blues list; a punk list. So, here it is – for today – because it will probably change tomorrow or next week?”
‘Eastern Standard Time’ – Don Drummond: “This lovely, lazy and loping tune, by The Skatalites, is really part of the roots of ska. You can hear the jazz influence, which featured in a lot of early ska tunes. Jazz was what this stellar band of musicians was listening to and playing before making this record. You can also hear, unsurprisingly, the Caribbean music as well. A lot of The Skatalites, individually, went on to make important ska and reggae records.”
‘Ali Baba’ – John Holt: “John Holt’s vocal on this track is super cool. He’s singing in such an easy way. This is counterpoint to the lyrics which are fantastic, in the truest sense of the word. John lays out the lyrics in a way which says, this tune is about a heavily psychedelic dream I had but, hey, no big deal. The experts say that this tune is technically ‘Rocksteady’. It also features a really nice horn section.”
‘East of the River Nile’ – Augustus Pablo: “This instrumental has one of my favourite introductions. It could easily be the start of an old film. What follows is a lovely slow groove with minimal instrumentation – where every instrument sounds just right. Then in comes Augustus Pablo’s melodica. Great use of reverb to create atmosphere, helped by some nice dub. This came out in 1977 but could have fitted into any reggae era.”
‘Ring The Alarm’ – Tenor Saw: “Tenor Saw is regarded as one of the great dancehall-style singers. He was working in the early period where reggae was discovering digital music. He’s young and confident on this track and his vocal style and inflections are so good. A brilliant rhythm, as well. Tenor Saw died aged 21 – a massive loss.”
‘Mr Brown’ – Bob Marley & The Wailers with The Upsetters: “Produced by Lee Perry; written by The Upsetters’ Glen Adams and given to The Wailers. It’s the story about a ghost being seen around town. So we get ‘creepy’ sounds and scary vocals. We also get great harmonies from The Wailers. I always think of it as a stand-alone reggae record – there’s not much like it? Just imagine if reggae had gone totally psychedelic?”
‘Cuss Cuss’ – Lloyd Robinson : “This brilliant, driving rhythm became one of the most covered in Jamaica. The urgency matches Lloyd Robinson’s vocal: ‘Get out of my life with your fuss and fight; I don’t want it’. Then up pops an organ hook line. 2’33” of a short, sharp plea.”
‘CB 200’ – Dillinger: “Title track from Dillinger’s superb album of the same name. This brought reggae and dub to the Punks and a wider audience. An album for every collection.”
‘Tunnel One’ – Tommy McCook: “Tommy McCook was one of the founders of The Skatalites and he leads this tune with his beautiful sax playing. Not only can you hear John Coltrane in his playing but you can also hear Miles Davis in the trumpet that follows him. Built on a rock solid rhythm, it’s over too soon.”
‘Sit and Wonder’ – Prince Buster: “This track, I think, is influenced by the Nyabinghi rhythm, which comes from the chants that are used by Rastafarians? It’s certainly one I haven’t heard on many records? Prince Buster delivers a trademark vocal with nice doo-wop harmonies and a cheeky sax part.”
‘All Will Be Well In The Garden’ – Lee ‘Scratch’ Perry and Adrian Sherwood. “A great and intriguing combination. Their work together is so good and you could pick many tracks. Nice mournful horns, harmonica and a sliding double bass(?). Reggae is in a healthy state here.”
LOUISE DISTRAS has just released a video for her brand new single!
‘Street Revolution’ is the title track from a new EP set for January release. It follows on from her debut album Dreams From The Factory Floor from 2015. It paves the way for her forthcoming second full-length, recently recorded in Oakland, California with producers Steve Whale of THE BUSINESS and Ross Petersen.
Louise describes the track as “… a rallying anthem for the new underground movement of working class kids, rising together through music to fight for their future”.
“Having run away from home as a teenager, Musicians Against Homelessness is cause close to my heart,” she says. “We all walk our own warzone path which is only one step away from a situation we can’t control. Music saves lives and supporting Crisis is my way of giving something back.”
Cathc louise on the following dates…
17th Jan – Cambridge, Portland Arms
18th Jan – Nottingham, The Bodega
23rd Jan – Leeds, Key Club
24th Jan – Newcastle, Cluny 2
25th Jan – Guildford, The Boileroom
26th Jan – Norwich, Waterfront Studio
27th Jan – Portsmouth, Edge of The Wedge
29th Jan – Leicester, Firebug
31st Jan – Bishops Stortford, The Half Moon
2nd Feb – Wolverhampton, Slade Rooms
Punk legend BRIAN JAMES returns to the stage next month with a very special show in London.
On Friday 7 December, the DAMNED and LORDS OF THE NEW CHURCH founder and, let’s not forget, writer of the first ever Brit punk single ‘New Rose’, will play the intimate Nell’s Jazz & Blues club in West Kensington. Performing with his regular trio, The Brian James Gang, he’ll be recording the set for a possible live album.
Vive Le Rock caught up with Brian over a bottle of red to find out what songs inspired him. Here’s his Top 10….
1. ‘You really got me’ – The Kinks “The boss of all riffs, the first I learnt to play and probably the most influential for guitar players everywhere.”
2. ‘Stone Free’ – Jimi Hendrix Experience “The B side of his first single, ‘Hey Joe’, this is the definitive version, with my favourite Hendrix guitar solo. He re recorded it a few times later on, but go for this one. Wild and off the wall, wonderful.
3. ‘Anyway, Anyhow, Anywhere’ – The Who “Sheer musical anarchy, first in-your-face feedback, maniacal drums and guitar. This threw the conventional music rule book in the fire, total attitude, play as loud as it goes.”
4. ‘Do It’ – Pink Fairies “The B-side of their first single, ‘The Snake’, total rock n roll energy. This is the attitude version, don’t bother with any others, these guys kept attitude afloat in England during the early 70’s.
5. ‘I Put A Spell On You’ – The Crazy World of Arthur Brown “From their debut album, Nina Simone’s haunting song turned inside out, a la Screaming Jay Hawkins. What a voice and what demonic Hammond organ playing by the grossly underrated Vincent Crane, timeless.”
6. ‘Sister Anne’ – The MC5 “During the 60s I was a big fan of the groups and artists on Detroit’s Tamla Motown label, then I discovered the MC5, also a Detroit act, and they couldn’t be more different: twin guitars, like double Chuck Berry on speed, machine-gun drums and great rock’n’roll songs. ‘Sister Anne’ is from their third album High Time. If you don’t already have it, then get it.”
7. ‘Boredom’ – The Buzzcocks “This is from the Spiral Scratch EP, which featured Howard Devoto on vocals and sums up 76-77 punk London and particularly the early few months of the Roxy club in Covent Garden, London.”
8. ‘Blank Generation’ – Richard Hell “If ‘Boredom’ sums up early Punk London, then ‘Blank Generation’ sums up the early New York Punk scene. Particularly the club CBGB’s in the Bowery area. A great slightly avant garde sound from the ex Television and Heartbreakers innovator.”
9. ‘I Wanna Be Your Dog’ – The Stooges “The first of my two favourite singers is Iggy Pop and this track from the Stooges first album is probably the best example of why. Another amazing Detroit band who paved the way for the Punk scenes.”
10. ‘Learning The Blues’ – Frank Sinatra “My other favourite singer, from the Sinatra-Basie album. My parents were always playing Sinatra around the house when I was a kid and it really got in my heart and soul, what an amazing voice and what a powerful band, the Count Basie orchestra was. Recorded in 1962, my advice is to give it a shot.”
Brian’s reissued debut solo album Brian James is out now on deluxe vinyl from Easy Action.
As much a fan as he is an artist, our mate MICHAEL MONROE enjoys a good cover version as much as the next man, be it Hoyt Axton’s ‘Lightnin’ Bar Blues’ or Creedence’s ‘Up Around The Bend’ in the days of HANOI ROCKS, or the storming version of ‘Kick Out The Jams’ he delivered at Vive Le Rock‘s inaugural awards bash earlier this year.
Michael’s in the UK this week, supporting Wayne Kramer’s MC50 on tour at Glasgow Academy (10 Nov), Manchester Albert Hall (11 Nov), and London Shepherds Bush Empire (12 Nov), so we dragged him out of rehearsals to ask him what his top ten favourite punk covers that he’s recorded are. This is what he told us…. enjoy!
1) The Damned: ‘Machine Gun Etiquette’ (on the Peace Of Mind album)
2) Dead Boys: ‘Ain’t Nothin’ To Do’ (on the Demolition 23 album)
3) Johnny Thunders & The Heartbreakers: ‘I Wanna Be Loved’ (on the Demolition 23 album)
4) U.K. Subs: ‘Endangered Species’ (on the Demolition 23 album)
5) Dead Boys: Ain’t It Fun (Duet with Axl on the Guns N’Roses Spaghetti Incident album)
6) Dead Boys: ‘What Love Is’ (on the Whatcha Want album)
7) U.K. Subs: ‘I Won’t Lie Down And Die’ (on the Whatcha Want album)
8) Dead Boys: ‘Not Anymore’ (on the Peace Of Mind album)
9) Stiv Bators: ‘A Million Miles Away’ (on the Nights Are So Long album)
10) Heavy Metal Kids: ‘Delirious’ (on the Hanoi Rocks Twelve Shots On The Rocks album)
Former Special NEVILLE STAPLE and co-conspirator SUGARY STAPLE have a brand new video out, which they’re premiering exclusively with Vive Le Rock!
‘Way Of Life’ is taken from the pair’s new album Rude Rebels which is out now through Cleopatra.
Produced by Sugary and Neville alongside Specials producer Tom Lowry at Planet Studios, Coventry, the album also sees them reunited with another former Specials alumnus, Roddy Radiation aka Roddy Byers on guitar.
“The album was produced with our love of punk, ska, 2tone and reggae, which we mixed into an indulgent sub-culture blend. A bit like me,” says Sugary Staple. “Working alongside Neville on the production was just perfect. He gets me, and he understands where I am at musically and about my promotion of women going for it, regardless of age and situation. We both still have something to say in our productions, while still creating a dancing beat or a sing-along vocal.”
“I felt really free on this production,” adds Neville. “Having the freedom to be creative with someone on your wave-length is really refreshing for me. I love how we celebrate the great musical genres of my 40-year career. There’s a little taste of The Specials in there, a Clash type of punk vibe and even Trojan Records styles. We’ve been touring some of the songs and the fans have gone nuts for it. Great to have my buddy Roddy on board too.”
Rude Rebels is available on CD and limited edition clear black’n’white splatter vinyl from Cleopatra and digitally via Bandcamp.
You can catch Neville & Sugary Staple on tour at….
Nov 10 Bognor – Butlins
Nov 16 Llangollen – Sun Inn
Nov 17 Bristol – Fleece
Nov 23 Skamouth – DJ Party
Dec 01 Hastings – Black Market VIP
Dec 08 Devon (TBA)
Dec 21 Frome – Cheese & Grain
Dec 22 Swansea – The Garage
THE RAMONAS hit the headlines with their brand new video, which they’re premiering exclusively with Vive Le Rock!
The band describe ‘The Daily Fail’ as a tongue-in-cheek dig at the influence of the mainstream tabloid media.
More widely know as the world’s most popular tribute to iconic punk pioneers THE RAMONES, the girls released their debut self-penned album First World Problems in September 2017.
This latest release coincides with the album being issued on limited edition blue vinyl for the first time. It’s available to buy here.
Catch The Ramonas at the following dates…
November 3rd – Frog & Fiddle, Cheltenham
November 23rd – The Sunflower Lounge, Birmingham
November 24th – Warehouse23, Wakefield (Supporting UK Subs)
December 1st – Anno 1888, Soest, Germany
December 2nd – Rare Guitar, Münster, Germany
December 20th – The Blacksmith Arms, Milton Keynes
December 21st – Louisiana, Bristol
December 22nd – O2 Ritz, Manchester (Supporting The Macc Lads)
THE CRAVATS launch the latest in their series of classic single reissues with this rare archive clip premiered exclusively with Vive Le Rock!
The footage of the classic ‘I Hate The Universe’ was shot live at the legendary Zig Zag Club in London and had previously been lost for more than three decades.
Following the band’s recent resurgence with last year’s critically acclaimed LP Dustbin of Sound they are re-releasing limited editions of their classic Small Wonder singles on vinyl, as many missed them first time around and apart from paying silly money on eBay or Discogs it is a way of filling that ‘C’ section in your record collections with finery.
Limited to 500 copies, the band’s debut 1978 release ‘Gordon’ b/w ‘Situations Vacant’ was reissued last year and very few remain. It’s still available now from Overground Records or from any Cravats Live show.
Now, originally issued in June ’79, here comes ‘Burning Bridges’ b/w ‘The End’ and ‘I Hate The Universe’.
Produced by Bob Sargeant (a week after he produced The Fall’s Live At The Witch Trials in the same studio), it has been digitally remastered and, like ‘Gordon’, is encased in the same glorious sleeve artwork.
Attempting to make these re-releases look as close to the originals as possible has been a labour of love. Back then artwork was all: bits of cardboard, Letraset, scissors and a tube of glue, but thanks to modern, space-age technology you’ll get a near identical sleeve and spot-on label – in this instance Pete Stennett has kindly allowed the band to reproduce his legendary Small Wonder Record label. Each copy also comes with a handy insert featuring ‘Cravfacts’.
Remember, only 500 of these exist and then they’ve gone forever. It’s available now here or any Cravats gig.
The next release in the series, ‘Precinct’ will follow in a few months, so collect the set and drink plenty of water.
Below, Cravats frontman The Shend tells the story of the film clip…
As you can imagine The Cravats were somewhat thrilled to be asked to support The Birthday Party and UT at The Zigzag Club in London on 8 May 1982.
In the days before iPhones and even camcorders (first available to the general public in 1983), getting anything filmed involved good old celluloid and luckily that day, Simon Towle was on the guestlist clutching his trusty Super 8 cine camera which incredibly had sound.
He filmed all of ‘I Hate The Universe’ which, seeing as the reels of film only lasted a few minutes, was a feat in itself, and recorded the audio with the camera’s built in microphone.
A couple of months later we all gathered at Gordon’s flat (Gordon Winter was the lead singer of Small Wonder stablemates The English Subtitles and also the marvellously manic chair-wielding Mr H on stage with us in this film) in Rupert Court, Soho and watched the unedited masterpiece projected on a wall. That was the last time anyone saw it . . . for decades!
We sadly lost touch with Simon and the film became a dim memory but it was the only known footage of The Cravats and every now and then I’d try to track down Simon and this Holy Grail of Cravatian artefacts. I searched social media and googled Simon but the trail was always cold. Not knowing how to correctly spell his surname didn’t help.
Then in 2017 I befriended English Subtitles’ guitarist Louis who now lived in Hamburg on Farcebook and asked him if he knew of Simon’s whereabouts. It turned out Simon had moved to New Zealand many years ago and thanks to Mark Zuckerberg’s networking behemoth I got in touch, but although he remembered making the film he was unsure whether it still existed.
Bah, Inspector Morse never had this much trouble detectiving.
Then, a message from Simon in early 2018 finally cracked the case. While clearing the loft he’d found the film in, er, a case.
Hoorah! I exclaimed, and using Google Street View, Simon found a suitable celluloid conversion emporium in a town some miles from his home.
Once converted to digital it was sent through the howling ether of outer space to Shend Towers and passed to lovely chum and Emperor of digital imagery, the mighty Mark Richards for editing into the gem you see here.
Okay, it hasn’t the audio clarity or visual splendour of a cinematic classic such as say, Those Magnificent Men In Their Flying Machines, but it’s really, really flipping old, was recorded on equipment with less pixels than a badger and has travelled the globe stuffed in a suitcase with some net curtains and 52 vintage copies of Practical Wireless Magazine.
Thirty-six years in the making and with massive thanks to Simon Towle, Mark Richards and all who helped along the way, we can finally present the legendary celluloid extravaganza that is, ‘I Hate The Universe’.