Because Vive Le Rock mag is crowded with great live reviews, we sometimes can’t get them all in!

So here’s a couple of extra reviews for yer…..


The LAST GREAT DREAMERS arrive in Oxford at the arse end of a nationwide tour in support of their latest release, the aurally agreeable pledge music, fan-funded ‘Transmissions From Oblivion’. Although struggling with man-flu the band deliver an energetic, heel kicking, Beechams assisted full throttle performance. Dressed in an array of hats, scarves, spotty shirts with obligatory black waistcoats, the band are Dickensian visual vagabonds and if ever a group sounded like they looked it’s the LGD. Set and album opener ‘Oblivion Kids’ initially suffers from streaky vocals due to said illness but front man Valentine digs deep and delivers a performance which grows in stature the longer he continues. Single ‘Glitterball Apocalypse’ avoids turning into the Euro 96 anthem ‘Three Lions’ by a goalpost and ‘Ashtray Eyes’ sees lead guitarist Slyder take over the singing duties. A finale of ‘Last Great Dreamers’ and the smash and grab closer ‘Dope School’ complete a spirited sixty minutes of Snot, Rattle and Roll.
Guy Shankland


FROM THE JAM open with a top ten treble of ‘Modern World’, ‘Strange Town’ and ‘Beat Surrender’ it’s a win win scenario that opens the nostalgic vocal floodgates. A rousing ‘Butterfly Collector’, ‘Down In a Tube Station’ and ‘That’s Entertainment’ are all given early set-list outings. Bruce Foxton confidently handles singing duties on ‘David Watts’, ‘Smithers Jones’ and ‘News Of The World’. ‘Going Underground’, ‘A Town Called Malice’ and ‘Start’ simply demonstrate the pure unadulterated song writing genius of a youthful Paul Weller. FTJ deliver these songs with energy, passion and breathe life into this timeless body of work. The songs all remain vital and provide an incisive snapshot of Thatcher’s Britain in the early eighties through the eyes of a young disaffected suburban male. A double finale of ’In The City’ and ’Eton Riffles’ puts the final cherry on a celebratory, Jam packed night. Twenty songs in ninety sing-a-long minutes, most sung word for word by the sold out, smiling, Sub89 crowd. That’s entertainment.
Guy Shankland



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