Punk legend BRIAN JAMES returns to the stage next month with a very special show in London.
On Friday 7 December, the DAMNED and LORDS OF THE NEW CHURCH founder and, let’s not forget, writer of the first ever Brit punk single ‘New Rose’, will play the intimate Nell’s Jazz & Blues club in West Kensington. Performing with his regular trio, The Brian James Gang, he’ll be recording the set for a possible live album.
Vive Le Rock caught up with Brian over a bottle of red to find out what songs inspired him. Here’s his Top 10….
1. ‘You really got me’ – The Kinks “The boss of all riffs, the first I learnt to play and probably the most influential for guitar players everywhere.”
2. ‘Stone Free’ – Jimi Hendrix Experience “The B side of his first single, ‘Hey Joe’, this is the definitive version, with my favourite Hendrix guitar solo. He re recorded it a few times later on, but go for this one. Wild and off the wall, wonderful.
3. ‘Anyway, Anyhow, Anywhere’ – The Who “Sheer musical anarchy, first in-your-face feedback, maniacal drums and guitar. This threw the conventional music rule book in the fire, total attitude, play as loud as it goes.”
4. ‘Do It’ – Pink Fairies “The B-side of their first single, ‘The Snake’, total rock n roll energy. This is the attitude version, don’t bother with any others, these guys kept attitude afloat in England during the early 70’s.
5. ‘I Put A Spell On You’ – The Crazy World of Arthur Brown “From their debut album, Nina Simone’s haunting song turned inside out, a la Screaming Jay Hawkins. What a voice and what demonic Hammond organ playing by the grossly underrated Vincent Crane, timeless.”
6. ‘Sister Anne’ – The MC5 “During the 60s I was a big fan of the groups and artists on Detroit’s Tamla Motown label, then I discovered the MC5, also a Detroit act, and they couldn’t be more different: twin guitars, like double Chuck Berry on speed, machine-gun drums and great rock’n’roll songs. ‘Sister Anne’ is from their third album High Time. If you don’t already have it, then get it.”
7. ‘Boredom’ – The Buzzcocks “This is from the Spiral Scratch EP, which featured Howard Devoto on vocals and sums up 76-77 punk London and particularly the early few months of the Roxy club in Covent Garden, London.”
8. ‘Blank Generation’ – Richard Hell “If ‘Boredom’ sums up early Punk London, then ‘Blank Generation’ sums up the early New York Punk scene. Particularly the club CBGB’s in the Bowery area. A great slightly avant garde sound from the ex Television and Heartbreakers innovator.”
9. ‘I Wanna Be Your Dog’ – The Stooges “The first of my two favourite singers is Iggy Pop and this track from the Stooges first album is probably the best example of why. Another amazing Detroit band who paved the way for the Punk scenes.”
10. ‘Learning The Blues’ – Frank Sinatra “My other favourite singer, from the Sinatra-Basie album. My parents were always playing Sinatra around the house when I was a kid and it really got in my heart and soul, what an amazing voice and what a powerful band, the Count Basie orchestra was. Recorded in 1962, my advice is to give it a shot.”
Brian’s reissued debut solo album Brian James is out now on deluxe vinyl from Easy Action.
The Resolution Festival returns to London’s 100 Club in January with the usual bumper crop of New Year punk to set you up for the rest of 2019!
Taking place at the legendary venue on Oxford Street from Friday 4th to Sunday 13th of January, you’ll be able to catch some of the UK’s top punk bands, including headliners DISCHARGE, GBH, UK SUBS, THE DERELLAS, ANTI-NOWHERE LEAGUE, VIBRATORS, SUBHUMANS, VICE SQUAD, DRAGSTER and SLAUGHTER II.
The supporting cast is just as good with appearances from MENACE, THE VARUKERS, THE MEMBERS, Nick Cash from 999, DESPERATE MEASURES (pictured), KNOCK OFF, BLUE CARPET BAND, WARWOUND and more…
JOHNNY THUNDERS & THE HEARTBREAKERS are to have their classic live album given the deluxe expanded vinyl format.
D.T.K. Live At The Speakeasy was recorded on 15 March 1977 at the notorious musicians’ hangout on Margaret Street in London’s West End. Fresh from recording their debut album L.A.M.F. for Track Records, the band’s two sets were recorded at the club with the the Maison Rouge mobile studio parked outside.
Initially released on Jungle in 1982, as a 10-track LP. A further five tracks were recovered to complete the whole two sets, and the whole lot were remixed for Down To Kill – Complete Live At The Speakeasy in 2009.
This new version comes on limited edition red-and-white vinyl, with a free CD and a sixteen-page booklet with notes by legendary journalist and Vive Le Rock contributor Kris Needs.
Set for release by Jungle on 23 November, Down To Kill – Complete Live At The Speakeasy is available to pre-order here.
Ranting punk poet ATTILA THE STOCKBROKER has just released a new album with a difference.
Restoration Tragedy sees Attila and his band BARNSTORMER 1649 creating an album fusing the music of the 17th Century with the sounds of ’77 buzzsaw punk, inspired by events just after the English Revolution, when Charles I was beheaded, the country became a republic, the ‘world turned upside down’ and unprecedented radical ideas spread across the land.
This album of ‘Roundhead Renaissancecore’ features numerous early musical instruments, such as shawm, crumhorn, cornamuse, bombarde, shawm and five different recorders, jousting with guitar, bass and drums all played by Attila and the band themselves.
“Growing up and living in Southwick, the port town of Shoreham Harbour in West Sussex, I’ve spent my life next door to the site of a pivotal moment in English history,” Attila explains. “After his defeat at the Battle of Worcester in 1651, Charles II travelled south in disguise, chased by the New Model Army, and ended up at Shoreham Port, sneaking off to France in a coal boat called Surprise from a spot 400 yards from where our house now stands. I’ve always been interested in the history of the English Civil War and its aftermath and like many locals, been aware of the story. Completely coincidentally, I’ve always loved early music, have taught myself to play many ancient instruments and believed those simple sounds could be harnessed to the energy of punk in the same kind of way that The Pogues combined Irish music and punk.”
Attila The Stockbroker began performing as a poet in 1980 in Harlow, Essex alongside his mates NEWTOWN NEUROTICS. Since then he has toured widely, playing more than 3,000 gigs in 24 countries, including pioneering shows in East Germany and Albania. His acclaimed autobiography Arguments Yard (35 years of Ranting Verse and Thrash Mandola) was published by Cherry Red Books in 2015.
Restoration Tragedy is available on limited edition gatefold double vinyl and CD from Attila’s website and at gigs. You can catch him on the road at…
10 Nov – SHOREHAM – Duke of Wellington
29 Nov – NORTHWICH – Salty Dog
30 Nov – ASHTON UNDER LYNE – Station
1 Dec – SHEFFIELD – Gardeners Rest
15 Jan – PETERSFIELD – Write Angle
Watch a full Barnstormer 1649 live show from Latest Musicbar, Brighton here.
THE MISSION mainman Wayne Hussey has used downtime from the band to compose and record the score for a stage-play in brazil.
The award-winning As Irmãs Siamesas, which was written by José Rubens Siqueira and features Hussey’s wife Cinthya, is currently enjoying a two-month run at the Teatro Aliança Francesa in São Paulo, where the pair live.
Recorded over a two-month period last summer, Hussey – together with pianist James Bacon and violinist David Milsom – recorded the score for a CD for sale at perfomances. Due to demand from fans, however, a CD is being made available for a limited period through The Mission’s webstore.
Individually numbered and signed, and expanded to feature music not available on the original theatrical release, the CD will only be available for purchase from the store until midnight on Friday 30 November.
“I’ve never made it a secret that I harbour ambition to compose and score for film,” explains Hussey. “Sadly, for a myriad of reasons, I’ve never been presented with the opportunity to do so. So it was with open arms I recently accepted the invitation to write music for a stage play. As Irmãs Siamesas is a Brazilian play written by José Rubens Siqueira and this particular new version is directed by my good friend, Sébastien Brottet-Michel, a French actor who works with the world renowned Parisienne ‘Theatre De Soleil’. The fact that my wife, Cinthya, is one of the two actors in this two women play, the other being Nara Marques, is perhaps why I was offered the job. A little nepotism never hurt anybody.
“The brief was…brief. After conversation with Sébastien we decided the music should be slow – none of the tempos are over 70 bpm – empty and open with lots of space, flexible, unsentimental; music that doesn’t dictate the way an audience should react and feel to the dialogue and action on stage, but interacts with the actors in an unobtrusive way.
“We talked about the setting of the play as being timeless and placeless, rural rather than urban. I wanted to avoid using instruments that were modern, that required electricity, that would place it in a specific time. I thought about ageless acoustic instruments, such as a piano, a violin, and a classical acoustic guitar, that might be found in a lot of homes where the onus is on families entertaining themselves rather than by TV, radio, or, these days, the internet. These instruments became my exclusive sound palette for this project. Muted colours, if you want.
“It’s been a great learning process, and discipline, for me as a musician to compose and make music that doesn’t strive for, nay demand, the listeners attention. In conjunction with the brilliant English pianist, James Bacon, and renowned violinist, David Milsom, we have fashioned a series of adagios that, whilst are a million light years away from the music I usually create, I am so very proud of.”
As much a fan as he is an artist, our mate MICHAEL MONROE enjoys a good cover version as much as the next man, be it Hoyt Axton’s ‘Lightnin’ Bar Blues’ or Creedence’s ‘Up Around The Bend’ in the days of HANOI ROCKS, or the storming version of ‘Kick Out The Jams’ he delivered at Vive Le Rock‘s inaugural awards bash earlier this year.
Michael’s in the UK this week, supporting Wayne Kramer’s MC50 on tour at Glasgow Academy (10 Nov), Manchester Albert Hall (11 Nov), and London Shepherds Bush Empire (12 Nov), so we dragged him out of rehearsals to ask him what his top ten favourite punk covers that he’s recorded are. This is what he told us…. enjoy!
1) The Damned: ‘Machine Gun Etiquette’ (on the Peace Of Mind album)
2) Dead Boys: ‘Ain’t Nothin’ To Do’ (on the Demolition 23 album)
3) Johnny Thunders & The Heartbreakers: ‘I Wanna Be Loved’ (on the Demolition 23 album)
4) U.K. Subs: ‘Endangered Species’ (on the Demolition 23 album)
5) Dead Boys: Ain’t It Fun (Duet with Axl on the Guns N’Roses Spaghetti Incident album)
6) Dead Boys: ‘What Love Is’ (on the Whatcha Want album)
7) U.K. Subs: ‘I Won’t Lie Down And Die’ (on the Whatcha Want album)
8) Dead Boys: ‘Not Anymore’ (on the Peace Of Mind album)
9) Stiv Bators: ‘A Million Miles Away’ (on the Nights Are So Long album)
10) Heavy Metal Kids: ‘Delirious’ (on the Hanoi Rocks Twelve Shots On The Rocks album)
Ace French punks ZERO GAIN have their complete output compiled on a new CD anthology.
The quartet came together in the eastern-central city of Saint-Étienne in late 2013, having all done time in bands like Boxing Elena, Protex Blue, Spit and Perfect Cousins. They released their debut mini-LP Slow Thinking late the following year before contributing to a split LP alongside Torino from Lyon. This was followed by their first full album, Another Soundtrack To The Social War in March ’17.
The 24 track Modern Blues. The First Five Years compiles all the band’s recorded output, up to and including the Going Nowhere EP, released in April of this year.
Former Special NEVILLE STAPLE and co-conspirator SUGARY STAPLE have a brand new video out, which they’re premiering exclusively with Vive Le Rock!
‘Way Of Life’ is taken from the pair’s new album Rude Rebels which is out now through Cleopatra.
Produced by Sugary and Neville alongside Specials producer Tom Lowry at Planet Studios, Coventry, the album also sees them reunited with another former Specials alumnus, Roddy Radiation aka Roddy Byers on guitar.
“The album was produced with our love of punk, ska, 2tone and reggae, which we mixed into an indulgent sub-culture blend. A bit like me,” says Sugary Staple. “Working alongside Neville on the production was just perfect. He gets me, and he understands where I am at musically and about my promotion of women going for it, regardless of age and situation. We both still have something to say in our productions, while still creating a dancing beat or a sing-along vocal.”
“I felt really free on this production,” adds Neville. “Having the freedom to be creative with someone on your wave-length is really refreshing for me. I love how we celebrate the great musical genres of my 40-year career. There’s a little taste of The Specials in there, a Clash type of punk vibe and even Trojan Records styles. We’ve been touring some of the songs and the fans have gone nuts for it. Great to have my buddy Roddy on board too.”
Rude Rebels is available on CD and limited edition clear black’n’white splatter vinyl from Cleopatra and digitally via Bandcamp.
You can catch Neville & Sugary Staple on tour at….
Nov 10 Bognor – Butlins
Nov 16 Llangollen – Sun Inn
Nov 17 Bristol – Fleece
Nov 23 Skamouth – DJ Party
Dec 01 Hastings – Black Market VIP
Dec 08 Devon (TBA)
Dec 21 Frome – Cheese & Grain
Dec 22 Swansea – The Garage
THE RAMONAS hit the headlines with their brand new video, which they’re premiering exclusively with Vive Le Rock!
The band describe ‘The Daily Fail’ as a tongue-in-cheek dig at the influence of the mainstream tabloid media.
More widely know as the world’s most popular tribute to iconic punk pioneers THE RAMONES, the girls released their debut self-penned album First World Problems in September 2017.
This latest release coincides with the album being issued on limited edition blue vinyl for the first time. It’s available to buy here.
Catch The Ramonas at the following dates…
November 3rd – Frog & Fiddle, Cheltenham
November 23rd – The Sunflower Lounge, Birmingham
November 24th – Warehouse23, Wakefield (Supporting UK Subs)
December 1st – Anno 1888, Soest, Germany
December 2nd – Rare Guitar, Münster, Germany
December 20th – The Blacksmith Arms, Milton Keynes
December 21st – Louisiana, Bristol
December 22nd – O2 Ritz, Manchester (Supporting The Macc Lads)
BLONDIE bombshell Debbie Harry is the cover-star of the Vive Le Rock Annual Vol.3 which is available to order now!
The latest edition of the UK’s number one punk mag covers the very best of issues 11 to 16 with the story of CBGB’s New York punk explosion, including RAMONES, DEAD BOYS, TALKING HEADS, JAYNE COUNTY, JOHNNY THUNDERS & THE HEARTBREAKERS and more.
Plus this bumper volume also has room for THE SWEET, THE BIRTHDAY PARTY, THE DAMNED, BRUCE SPRINGSTEEN, ADAM ANT, DROPKICK MURPHYS, THE ALARM, GEORGE THOROGOOD, THE GODFATHERS, THE B-52s, THE ADVERTS, ANTI-NOWHERE LEAGUE, MICHAEL MONROE, WILKO JOHNSON, HAMMERSMITH GORILLAS and much, much more.
Plus! We hear from YOU about your first gigs!!!
Plus! Each issue comes with a FREE doublesided STRANGLERS/GENE VINCENT art print and a FREE Vive Le Rock! badge!
Priced just £20 and limited to just 500 copies, the Vive Le Rock Annual Vol.3 is not available in shops!
The perfect stocking-filler for the serious punk/rocker in your life, order here for Xmas!!!!
And if you haven’t already got Volumes 1 and 2, you can order them together here at a special price, while stocks last!
THE CRAVATS launch the latest in their series of classic single reissues with this rare archive clip premiered exclusively with Vive Le Rock!
The footage of the classic ‘I Hate The Universe’ was shot live at the legendary Zig Zag Club in London and had previously been lost for more than three decades.
Following the band’s recent resurgence with last year’s critically acclaimed LP Dustbin of Sound they are re-releasing limited editions of their classic Small Wonder singles on vinyl, as many missed them first time around and apart from paying silly money on eBay or Discogs it is a way of filling that ‘C’ section in your record collections with finery.
Limited to 500 copies, the band’s debut 1978 release ‘Gordon’ b/w ‘Situations Vacant’ was reissued last year and very few remain. It’s still available now from Overground Records or from any Cravats Live show.
Now, originally issued in June ’79, here comes ‘Burning Bridges’ b/w ‘The End’ and ‘I Hate The Universe’.
Produced by Bob Sargeant (a week after he produced The Fall’s Live At The Witch Trials in the same studio), it has been digitally remastered and, like ‘Gordon’, is encased in the same glorious sleeve artwork.
Attempting to make these re-releases look as close to the originals as possible has been a labour of love. Back then artwork was all: bits of cardboard, Letraset, scissors and a tube of glue, but thanks to modern, space-age technology you’ll get a near identical sleeve and spot-on label – in this instance Pete Stennett has kindly allowed the band to reproduce his legendary Small Wonder Record label. Each copy also comes with a handy insert featuring ‘Cravfacts’.
Remember, only 500 of these exist and then they’ve gone forever. It’s available now here or any Cravats gig.
The next release in the series, ‘Precinct’ will follow in a few months, so collect the set and drink plenty of water.
Below, Cravats frontman The Shend tells the story of the film clip…
As you can imagine The Cravats were somewhat thrilled to be asked to support The Birthday Party and UT at The Zigzag Club in London on 8 May 1982.
In the days before iPhones and even camcorders (first available to the general public in 1983), getting anything filmed involved good old celluloid and luckily that day, Simon Towle was on the guestlist clutching his trusty Super 8 cine camera which incredibly had sound.
He filmed all of ‘I Hate The Universe’ which, seeing as the reels of film only lasted a few minutes, was a feat in itself, and recorded the audio with the camera’s built in microphone.
A couple of months later we all gathered at Gordon’s flat (Gordon Winter was the lead singer of Small Wonder stablemates The English Subtitles and also the marvellously manic chair-wielding Mr H on stage with us in this film) in Rupert Court, Soho and watched the unedited masterpiece projected on a wall. That was the last time anyone saw it . . . for decades!
We sadly lost touch with Simon and the film became a dim memory but it was the only known footage of The Cravats and every now and then I’d try to track down Simon and this Holy Grail of Cravatian artefacts. I searched social media and googled Simon but the trail was always cold. Not knowing how to correctly spell his surname didn’t help.
Then in 2017 I befriended English Subtitles’ guitarist Louis who now lived in Hamburg on Farcebook and asked him if he knew of Simon’s whereabouts. It turned out Simon had moved to New Zealand many years ago and thanks to Mark Zuckerberg’s networking behemoth I got in touch, but although he remembered making the film he was unsure whether it still existed.
Bah, Inspector Morse never had this much trouble detectiving.
Then, a message from Simon in early 2018 finally cracked the case. While clearing the loft he’d found the film in, er, a case.
Hoorah! I exclaimed, and using Google Street View, Simon found a suitable celluloid conversion emporium in a town some miles from his home.
Once converted to digital it was sent through the howling ether of outer space to Shend Towers and passed to lovely chum and Emperor of digital imagery, the mighty Mark Richards for editing into the gem you see here.
Okay, it hasn’t the audio clarity or visual splendour of a cinematic classic such as say, Those Magnificent Men In Their Flying Machines, but it’s really, really flipping old, was recorded on equipment with less pixels than a badger and has travelled the globe stuffed in a suitcase with some net curtains and 52 vintage copies of Practical Wireless Magazine.
Thirty-six years in the making and with massive thanks to Simon Towle, Mark Richards and all who helped along the way, we can finally present the legendary celluloid extravaganza that is, ‘I Hate The Universe’.
God of Hellfire ARTHUR BROWN has been added as special guest vocalist on HAWKWIND’s current orchestral tour.
The Ladbroke Grove groovers are currently touring the UK with a full orchestra, playing shows in support of their latest, Mike Batt-produced, album Road To Utopia.
The tour initially started out as a one-off date at London’s celebrated Palladium theatre, but tickets sold out so quickly that they decided to add more shows. Remaining dates, with support from The Black Heart Orchestra, are….
Sun 4th Nov – London, Palladium (sold out)
Mon 5th Nov – London, Palladium
Sat 24th Nov – Bath, Forum
Sun 25th Nov – Birmingham Symphony Hall
Legendary Birmingham songwriter DAVE KUSWORTH has announced a one-off London show in celebration of a major new anthology.
An early member of chartbusting Soho sleaze-merchants Dogs D’Amour, playing on their 1984 debut album, Kusworth began his career in 1977 with seminal Birmingham garage band TV Eye, going on to find success in The Jacobites with former Swell Map, Nikki Sudden.
The first ever vinyl compilation of Dave’s work, and a taster for a major vinyl reissue programme, The World Of Dave Kusworth Vol.1 & 2 brings together the cream of Dave’s material from his period with The Jacobites, as well as tracks from his own later bands The Bounty Hunters, The Tenderhooks and The Dave Kusworth Group.
The album also features a track from Dave’s new solo album, due for release in 2019. Each of the 20 tracks was chosen personally by Kusworth and longtime friend, bandmate and designer Dave Twist, who was also responsible for the album’s lavish packaging.
Kusworth will be launching the album with a very special Rockaway Beach club night at London’s Hope & Anchor on Sunday 4 November. Tickets are on sale now here.
The World Of Dave Kusworth Vol.1 & 2 is available to pre-order now through Troubadour Records via Easy Action.
Ascendant London psych-rock duo BLACK DOLDRUMS have a new EP out next month and they’re premiering the lead track exclusively with Vive Le Rock!
‘There Is No Eye’ is taken from the four-track Sad Paradise EP which will be their first release on the Club AC30 label. It was co-produced by engineer James Aparicio whose credits include Spiritualized, Nick Cave and Depeche Mode.
A combination of Kevin Gibbard’s layers of six-string sonic attack and Sophia Lacroix’s relentless tribal drums, the pair have been causing a stir across London and further afield for the last couple of years, paying homage to greasy biker psych and brown-acid meltdown.
“With just the two of us, it’s a close relationship with its challenges,” explains Gibbard. “We don’t have a lot of people we can rely on and for creativity this can be both productive and destructive as well as rewarding, due to the fact we both have something in common to work against. It’s us against them. Lyrically, I like to keep things simple and base each song around a theme as appose to a specific subject. More a feeling than a story. In terms of composition, each song ends up being a journey as we like to experiment and push it as far as we can with just the two of us. Our whole approach is that a song should write itself.”
Catch Black Doldrums live at…
10 Nov – Paper Dress Vintage, London
25 Nov – The Lanes, Bristol
6 Dec – The Victoria, London
7 Dec – The Chameleon Arts Café, Nottingham